A beautiful start to the day

Autumn has arrived. It’s cool and overcast and very still. I can hear the kangaroos nearby – they seem to know when I am awake.

There are perhaps fifteen in all, mostly females with a few young ones nearby. All have joeys in their pouches. I feed them macropod pellets. As the pellets fall into the tin bowls other roos come hopping into the feeding area, they have acute hearing. All up with the few wallabies there are around twenty-five kangaroos. I walk through them within arms reach, some brush up against me, I scratch a few wallabies underneath their chin – they are without fear.

Roos being fed

My father played in a dance band when we were young. Our family moved from Redfern to a beachside suburb near Maroubra – my two younger sisters and mother and father. The suburban brick house had a big backyard. Dad would often go to Scone for the weekend and play music in the local hall for the farmers. One time he came back with a baby kangaroo – its mother had been shot. We named the roo Ambrose. He would hang in the house and when he felt like it hopped through the opened back door and out into the yard. We always kept the back door open – often he would come bolting in and hop around the house. On winters nights he would fall over in front of the radiator until his fur would start to smoke from the heat. Often he would sleep with us and he knew how to take the lid off the biscuit tin and help himself to the biscuits. We had an FJ Holden and when we needed supplies we’d drive into the nearby village. We always took Ambrose with us and when mum and dad went shopping we’d hang out in the car with the windows down and Ambrose would poke his head out at the people passing by. Not many people in Maroubra Junction had seen a kangaroo before. It was a pretty amazing time. He became one of the family. As he started to get bigger my father was concerned and decided to take him back out into the bush and release him on a friends property. It was the saddest days of our lives. We watched the FJ drive off with Ambrose – we were crying our eyes out.

Grandfather and Father
Grandfather and Father

I walk around the garden and pick a few flowers. There’s a late burst of frangipani and a few yellow roses in the garden and the two tibouchina trees are just about to burst open with a profusion of indigo flowers – their colour is striking. Miniature dahlias, roses, tibouchina and even lantana (which I love, though most farmers call it a weed) adorn my desk as I write this story.

I often think how much my grandfather would love this property. He was born in Malta. When he was fourteen he stowed away on a ship bound for Australia. I think he had Phoenician blood – “Falzon” is a Phoenician name. The Phoenicians were great seafarers and traders. Maybe that’s why I have a deep connection with the ocean and spend most of my time paddling around chasing and surfing waves. I feel at home in the sea. My grandfather would take a tram from Redfern down to Coogee beach every Saturday. One day he took me with him – it was the first time I saw the Pacific Ocean. It was incredible. A beautiful day and a wide blue horizon. He would swim in the ocean baths for hours – slowly up and down the pool – he had an amazing relaxed swimming stroke. Swimming was one of his great passions along with growing flowers and playing classical music. He had a wind-up gramophone and a bust of Mozart in his ground floor tenement apartment. When he went to the ocean pool he carried his towel, perfectly rolled up, under his arm.

joey  roo and buddha

The smell of coffee permeates the kitchen as I look out the window to see a white rabbit appearing for an early morning feed. I walk outside and call him, he runs over within throwing distance and I give him some grain bread. He runs off a few feet and seemingly hides from birds or other wallabies that may want to share his bread.

I phone a friend for an early morning eyes-on surf report. It is small and glassy, dropped off in size from the last few days of perfect autumn swell. Maybe I’ll go down for a look-see when the tide fills in a little. It’s such a beautiful day.


- Albe

8am Monday 12th March 2012

point break

Posted in Gratitude | 5 Comments

The Cosmic Sea

The Cosmic Sea

The Cosmic Sea

In love we find each other
Sows the seed of infinite kindness
The love that you see and feel, is that very you.
There is no other
It was never created
It will always be
It will never die
For it never began.
It sees you and I
Birth or death, it knows not,
Spinning infinitely, never at rest.
That’s the love you see and feel.
It calls you and me back to the cosmic sea.

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Mitchell Rae – Outer Island

Which way r ya going?
Which way r ya going?

In the early seventies, Mitchell and a few friends were sitting out at Kuta reef in Bali, waiting for the next set. Kuta was just a small coastal village with no paved roads, no tourists and just a handful of surfers. Idyllic beach breaks could be had all the way to Legian. It was a classic dry season day; trades fanned the overhead swell and the ocean was so transparent you could make out the colourful fish swimming around the reef. A large outrigger with Balinese paddlers approached. Sitting in the centre of the canoe was a white man, in a white suit and a Panama hat. After a few minutes observing the break he undressed, took a surfboard from the bottom of the boat, jumped off and paddled over to the line-up. He sat on the inside and took a set wave. It was Micky Dora. They had a friendly few hours surfing the reef together and, when Micky left, he invited them back to the Bali Beach hotel in Sanur – the only hotel at the time in Bali. He was staying on the top floor with two female companions, the view from the balcony overlooked Sanur reef and in the distance you could see another island, Nusa Lembongan. Micky treated them all on a “borrowed” credit card. Such were the mysterious travels of Micky Dora, one of the earliest surfers to taste the perfect waves of Bali.

Mitchell returned to Bali many times over the following years and honed his surfboard design skills surfing the reef waves there. Along with his mentor, Glenn Ritchie, Mitchell developed a fine eye for the subtle curves that make a surfboard blend perfectly with the curvature of each wave. His fine sleek boards, with the flex-tails that he developed, came to life on the flawless faces of the outer reef waves. Nusa Dua, Uluwatu and Padang Padang became the testing ground for his early surfboard developments.

Mitchell was so impressed by Bali and the Balinese that he incorporated the eyes, that adorn the fishing boats of Bali, to the rails and front of his own surfboard designs. “Balinese folklore instilled the belief that the ocean was filled with evil spirits, so the local fisherman, the majority of whom couldn’t swim, felt the eyes on the front of their canoes protected them from the spirits. – the spirit eyes I call them,” recalls Mitchell. “They encapsulate the quest for the higher level of the surfing experience. It also gives the board a bit of added life – sometimes you check them from different angles and they seem quite alive.”

Mctavish group photo
Mctavish group photo

Back in Australia, after an early stint building surfboards at Palm Beach, he and Glen moved to the open country space of Nana Glen, near Coffs Harbour, and that became their base for several years. The country soul lifestyle was blossoming – George Greenough, Chris Brock, Garry Keyes and Bob McTavish were living in an abandoned old farm house not far from Angourie, shaping their own boards in between surf sessions at the point. Nat Young had bought a farm not far from Broken Head. The exodus from the city was beginning as more surfers realised the incredible unridden point waves available on the north coast. Living was cheap and waves were plentiful. The hills of Byron were alive with the sound of surfers – all trading their conservative city lives for a “lifestyle” of country bliss.

The designs Mitchell and Glen developed in those early Nana Glen and Bali days, particularly the early exploration of concaves, are still relevant in board design today. They never tried to promote their designs, preferring to remain “underground” and rely on “tried and tested” and “word of mouth” to circulate their boards.

“My aim is to generate speed and to create a surfboard that has the ability to use it. The faster you go, the more you can do with your board. It’s about accessing more speed quickly. Concave flex-tails allow you to take off late on a wave, and just snap it around using the recoil energy of the flex – off one turn you can generate great speed,” says Mitchell.

Outer Island guns 1979
Outer Island guns 1979
1980 Pipemasters Epic Space Probe
1980 Pipemasters Epic Space Probe
Space-Probe-Profile
Space Probe Profile
Red spear Buddha Board
Red spear Buddha Board
Mitchell's buddha board
Mitchell's buddha board
Red spear Buddha Board profile
Red spear Buddha Board profile

Mitchell is probably one of the most underrated designers in the world today. His board are made to suit the individual surfer’s style – all are precisely hand-shaped and finished with loving care. To own and surf an Outer Island surfboard is equivalent to having a classic piece of art in your hands. Energetically, they are so far ahead of most factory boards produced today.

Buddha Stix
Buddha Stix

Recently, Mitchell hand-shaped a small, flex-tail fish, with a full iconic Buddha image on the bottom of the board, and Tibetan writing and the OM symbol on the top. Every aspect of the board was carefully and methodically made – even the hand-made fins had inlays of Tibetan writing in them. When checking the energetics of the board, its magnetic field reached out 14 metres from the board – most machine-shaped surfboards today would have a magnetic field closer to 2 metres. The subtle benefits of high-energy boards in the line-up are very healthy – not only for the surfers you are surfing with, but for your own well-being and enjoyment as well.

Over the past few years, Mitchell has moved more into painting canvases of tropical island scenes and perfectly shaped waves. Many of his boards are airbrushed with designs in keeping with the colours and flow of the ocean. He has maintained a high degree of spiritual integrity with his shaping and painting often under trying economic and financial restraints, and now is moving closer to his dream of shaping just a few boards each year – enough to keep his interest. He would be happy living in a grass shack somewhere in the tropics, painting images of waves breaking over coral reefs and beautiful Island vistas for the rest of his life, and somehow I think that dream is not far off. His family is growing up and moving out and it appears he will move out, as well. Or, rather, move back to the things he loves the most. God knows he deserves it.

board-in-desert-water
Desert & Board

 

Bali
Bali

 

Indo Window Art
Indo Window

 

moonlight-waves
Moonlight Waves

Mitchell has spent the best part of his life shaping surfboards so that others could enjoy what he loves most – surfing. He has comprised many waves in doing so. How he has survived in one of the most toxic industries is way beyond me but, in doing so, he has unknowingly built up an abundance of karma in providing hundreds of thousands of hours of happiness for others. And I am one of those who can never thank him enough for the creativity, the beauty and pure joy I received from his boards. Some of the most memorable and beautiful waves I have ever ridden were on his boards, at Sanur in Bali. I wonder if he realised, when he was with Micky Dora many years ago and overlooking Sanur reef from the top floor of the Bali Beach hotel, that his boards would be speeding down the line of those perfect barrels… Maybe he did. Maybe he knew all along that that’s what his boards were made for. Thanks Mitchell for taking me there.

Mitchell and I
Mitchell and I
Posted in Friends, Surfboards | 1 Comment

Playing for Change – Peace to the World Through Music

This is a great site www.playingforchange.com

About the site:
Playing for Change is a multimedia movement created to inspire, connect, and bring peace to the world through music. The idea for this project arose from a common belief that music has the power to break down boundaries and overcome distances between people. No matter whether people come from different geographic, political, economic, spiritual or ideological backgrounds, music has the universal power to transcend and unite us all as one human race. And with this truth firmly fixed in our minds, we set out to share it with the world.

On the site:
What we need is love – No more war
As we made our way around the world we encountered love and hatred. We met people both rich and poor, black and white, and from innumerable religious groups and ideologies. Over the course of our journey it became very clear that as a human race we need to transcend from the darkness to the light, and that music will be our choice of the future. This Song around the World features musicians who have seen and overcome conflict and hatred with love and perseverance. “We don’t need no more trouble, what we need is love.” The spirit of Bob Marley always lives on.

Stand by Me
Four years ago while walking down the street in Santa Monica, California the Playing for Change crew heard roger Ridley singing “Stand by Me “ from a block away. His voice, soul and passion set us on a journey around the world to add other musicians to his performance. The song transformed Playing for Change from a small group of individuals into a global movement for peace and understanding. This track features over 35 musicians collaborating from all over the world; they have never met in person, but in this case, the music does the talking.

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Mystery of The Ninth Moon

The Mystery of the Ninth MoonMystery of the Ninth Moon
By Tara White

About the book:

Deep in Shamballa, in the Himalayas, the Dalai Lama prepares to move up to a higher plane of consciousness. An astral spirit answers his prayers and appears. Full of love, devotion and wisdom, she comes as a faithful Labrador dog, Chakra. A missionary, a seer who can see the soul’s essence, Chakra is pure and divine wisdom.

Travelling to Australia, she finds Sophie Crystal, an Internet TV reporter and Elsie, a palmist, and awakens their destinies together. Seeing the vibrations and invisible colours and essences of life and the world, Chakra guides them to a belief in a higher and better world. Elsie and Sophie’s deep bond of friendship strengthens when Elsie meets Professor Dee, an expert on Eastern mysticism, who discovers Elsie owns a Tanka box containing ancient wisdom that can only be revealed in Shamballa. Journeying through the perilous beauty of the Himalayas, will they find complete enlightenment and happiness that will change their lives forever?

maitreya
Excerpt:

Chapter 1 – A Mysterious Visitor

In the deep heartland of mysterious Tibet, lonely windswept plains show their agonised faces through patches of frost, and the tattered prayer flags flap wildly in the eerie night to the mournful icy cry of the unrelenting Himalayan winds. A carpet of gleaming diamonds adorns the firmament. A billion Buddha lights give the harsh Tibetan Landscape a sense of purpose. Here, amongst the desolate, towering peaks, a secluded monastery stands silent, its form silhouetted by the few reddish butter lamps that hang nonchalantly around its cold, granite walls.

Yet, between the jeering, wild winds a soft drone is heard, its soft echo resounding in the depthless mountain canyons. The chanting leads into a huge, oblong-shaped hall, its massive stone walls decorated with images of golden Buddhas, looking down serenely onto a group of lamas and disciples huddled together for warmth. Huge, colourful paintings and banners of previous Buddhas gently sway and fold, giving them a surreal movement. Some of the paintings are so ancient that parts have withered away, leaving a bare brick wall – a sobering reminder that all is impermanent and transient.

To purchase this book, contact us.
Lake Manasarova

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The Dharma

The Buddha Taught

The Buddha cracked the mystery of human suffering when he realised what he called “the three marks of existence” – three characteristics that apply to all human beings:

One, impermanence: nothing on earth endures in its present state forever: everything is temporary and changes.

Therefore, second, as long as we are attached to things and conditions that must inevitably change and cannot last, we will suffer.

And third, the cause of our suffering is craving that which is impermanent, including our desire to maintain our separated existence.

These three marks of existence, plus a map for finding our way out of this existence through the Eightfold Path, constitutes the Four Noble Truths. These are the essence of the Buddha’s teaching that he preached in his first sermon after he attained enlightenment, and they constitute the framework of his teaching over the remaining decades of his long life: that everything in manifestation is impermanent and therefore subject, some say, to decay – the ageless wisdom says to transformation; that to cling to, crave or desire the impermanent is to suffer; and the only release from suffering is to stop craving, clinging and desiring – anything and everything. The Buddha gave clear and precise instructions for how to accomplish this, and that’s why the religion that developed of his life teaching is called by its followers, not Buddhism, but “the dharma” – the law.

The Four Noble Truths

The pain of embodied existence, caused by constantly recurring births and deaths.

The cause of these sufferings lies in ignorance, in the thirst for self-gratification through earthly possessions, which drag after them the perpetual repetition of imperfect existence.

The cessation of suffering lies in the attainment of a state of enlightened all-inclusiveness, thus creating the possibility of conscious interception of the circle of earthly existence.

The path of cessation of these pains consists in gradual strengthening of the elements necessary for the annihilation of the causes of earthly existence and for approaching the great truth.

The Eightfold Path

Gotama divided the path to this truth into eight paths.

Right understanding (that which concerns the law of causes)
Right thinking
Right speech
Right action
Right living
Right labour
Right vigilance and self-discipline
Right concentration

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Beyond The Dreamtime

Dreamtime DVD coverBeyond The Dreamtime
A film by John Lind

Ainslie Roberts has done more than any other white artist to bring the enchanting richness and awesome power of Australian Aboriginal Dreamtime to universal attention.

His vibrant surrealist images not only delight and intrigue the viewer; they lead deep into one of the world’s most ancient cultures and beyond deep into ourselves.

When Ainslie Roberts met Charles P Mountford (who died in 1976), he soon became fascinated by the Aboriginal myths that the famous ethnologist had collected during his research expeditions into Central and Northern Australia. The territory is well known to Ainslie Roberts, who has made many painting trips to the Inland, and as Charles Mountford told him the myths he soon began to see them in terms of colour and design. He commenced a series of paintings, the first “Dreamtime” collection, in which he interpreted the myths about the men, women, and other creatures who created the world as it is seen by the Aboriginals. His imaginative depiction of Charles Mountford’s narrative of the myths, painted in a manner which captured the glowing colours of inland Australia, achieved instant success. In 1965, the myths and paintings were published as a book, The Dreamtime, which has been a steady bestseller ever since.

A million copies of The Dreamtime book series have since been sold in Australia alone – a publishing phenomenon! Why? Because the potent imagery bridges cultural gulfs, touches the ancient wisdom within each of us and arouses a sense of sacredness in all things.
Beyond The Dreamtime is a truly amazing film of breathtaking visual beauty, bringing to life the haunting imagery of dozens of Ainslie Roberts major works, weaving them into the artist’s personal life and illuminating his love of the land.

John Lind has created a masterful film of a gifted artist who painted extraordinary images of The Dreamtime. The film traces Ainslie’s life and travels as he returns to the desert to explore and reminisce on his life and love of the outback and Aboriginal mythology. His personal experiences are insightful and inspirational. The early footage of aboriginals is astounding and captures the natural beauty of these ancient people. The beauty of the Australian outback is captivating and enticing. The film captures beautifully Ainslie’s love of the desert.

Beyond the Dreamtime, through music and visuals, explores the spirit of the Aboriginal people and the land, which is so much a part of their life.

This award-winning film is one of those special jewels, which can be viewed again and again.

Truly inspirational.

The DVD is available through Ronin Films

Butterfly painting by Ainslie Roberts
Butterfly painting by Ainslie Roberts

Birth of the butterflies

When the world was young, the birds and animals had a common language and there was no death. No creature had any experience of death’s mystery, until one day a young cockatoo fell from a tree and broke its neck. The birds and animals could not wake it, and a meeting of the wise ones decided that the spirits had taken back the bird to change it into another form.

Everyone thought this a reasonable explanation, but to prove the theory the leaders called for volunteers who would imitate the dead cockatoo by going up into the sky for a whole winter. During this time, they would not be allowed to see, hear, smell, or taste anything. In the spring they were to return to earth to relate their experiences to others. The caterpillars offered to try the experiment, and went up into the sky in a huge cloud.

On the first warm day of spring a pair of excited dragonflies told the gathering that the caterpillars were returning with new bodies. Soon the dragonflies led back into the camp a great pageant of white, yellow, red, blue, and green creatures – the first butterflies, and proof that the spirits had changed the caterpillars’ bodies into another form.

They clustered in large groups on the trees and bushes, and everything looked so gay and colourful that the wise ones decided that this was a good and happy thing that had happened, and decreed that it must always be so. Since then caterpillars always spend winter hidden in cocoons, preparing for their dramatic change into one of spring’s most beautiful symbols.

From DREAMTIME The Aboriginal Heritage published by Rigby.

DREAMTIME bookDreamtime books are available online.

John Lind can be contacted by email:

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The Known Universe

You wont be concerned about your mortgage after viewing this film…..

From an exhibition at the Rubin Museum of Art, Visions of the Cosmos: From the Milky Ocean to an Evolving Universe

More info:
www.amnh.org/news/2009/12/the-known-universe/

Film credits
Data: Digital Universe, American Museum of Natural History
www.haydenplanetarium.org/universe/
Visualization Software: Uniview by SCISS
Director: Carter Emmart
Curator: Ben R. Oppenheimer
Producer: Michael Hoffman
Executive Producer: Ro Kinzler
Co-Executive Producer: Martin Brauen
Manager, Digital Universe Atlas: Brian Abbott
Music: Suke Cerulo

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Mantram

Mani stones, Ladakh

“OM MANI PADME HUM”

A mantram is a combination of sounds, of words and of phrases that, through virtue of certain rhythmic effects, achieves results that would not be possible apart from them.

The most sacred of all the eastern mantrams given out as yet to the public is the one embodied in the words:
OM MANI PADME HUM
Om Mani Padme Hum

There are various mantric forms based upon this formula and upon the sacred word which, sounded rhythmically and in different keys, accomplish certain desired ends, such as the invoking of protective angels, or devas, and definite work, either constructive or destructive, upon the planes.

The potency of a mantram depends upon the point of evolution of the man who employs it. Uttered by an ordinary man it serves to stimulate the good within his bodies, to protect him, and it will also prove of beneficent influence upon his environment. Uttered by an adept or initiate its possibilities for good are infinite and far reaching.

In Ladakh, in Northern India, Mani stones are made into walls, usually near temples – sometimes in the middle of scorched barren landscapes. Prayer flags and Mani stones are left throughout the country in remembrance of what is important – for blessings and unification with their inner world of spiritual beliefs.

Ladakh temple and mani stones
Mani stones, LadakhMani stones, Ladakh

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The Great Unseen Hand

 

The Kumbha Mela 1856
The Kumbha Mela 1856
Ganges River Ganges River

In the early eighties we travelled to India to film the great Indian festival The Kumbha Mela on the banks of the Ganges River in the state of Hardwar. This extraordinary event is held every twelve years and is the biggest gathering of humans at any festival on the planet. During the month long celebrations up to twenty million people, many of them pilgrims, attend the Kumbha Mela festival. With so many Indians it’s very rare to see western tourists amongst the crowded streets or along the riverbanks.

Saddhu in tentThe temperature during this festival was consistently around forty degrees and the dry desert wind added to the intensity of the heat. Late one afternoon after a days filming with the Saddhus – the holy men of India – we noticed a man standing very still not far from us, as if just observing or waiting for us to catch his attention. He appeared of western origin but, on closer observation, was more Eurasian in appearance. He was impeccably dressed, most unusual considering the dust and extreme temperatures. He emitted an unusual coolness and calmness about him. We were staying in a small garden hotel about twenty minutes drive from the centre of the festival activities, a great respite considering the vast number of people and conditions surrounding the festival. We hailed a taxi and, as we were leaving, asked if we could give our newfound acquaintance a lift to wherever he was staying. Coincidentally, he happened to be staying at the same hotel. The late afternoon light was golden and almost immediately when he entered the taxi, he turned and said to me: “You shall be known as Jyoti” – a name I had not heard of before.

The days at the festival were full of wonderment and excitement. The energy levels were very high, as all who attended were there for spiritual nourishment, and the vibration amongst the pilgrims and the hundreds of thousands of Saddhus was magnified by the presence of so many people. As each day passed and moved closer to the full moon day of blessing, that energy intensified.

One SaddhuWe arrived back at the hotel and our friend thanked us and disappeared. That evening when we went for dinner, we noticed he was sitting in the garden and asked him if he would like to join us for dinner. He politely accepted and, as we were the only guests in the hotel, the friendly kitchen staff served us a beautiful meal.

It turned out that he was a healer and when asked where he lived, he was dismissive and replied that it was somewhere in the mountains. He also seemed to know about my brother’s acute back problems and, after an enjoyable meal and evening, he suggested that he would do some work on my brothers back.

The next day we headed back to the festival. Our friend had checked out early and we never sighted him again. We filmed the Kumbha Mela festival for another two weeks until the climax of this great event and went back to Australia.

Sometime afterwards I was in The Theosophical Bookstore in Sydney, browsing through their vast collection of spiritual books, when I noticed a shelf with a number of deep blue covered books. Drawn to these books, I began to browse through the collection and bought two books: The Light of the Soul and A Treatise on White Magic, by Alice Bailey. When reading The Light of the Soul, I came across the word Jyoti – which means “Light of the Soul”. Several years later I joined the Arcane School founded by the Lucis Trust, publishers of the Alice Bailey books.

Shortly afterwards, we found ourselves in a valley in Tibet, filming the Wesak Festival – the great Buddhist festival near Mt Kailas, in the western region of Tibet. Near Mt Kailas is the sacred Manasarova Lake, the highest freshwater lake in the world. The name means “the most beautiful of lakes”. Manasa means “created by the soul” – for the lake was created by the soul of Buddha. At the edge of the lake on a small mountain lies a temple, the only building in the vicinity. As we walked up the incline towards this small and remote temple with a spectacular view, my brother said that this was the home our friend at the Kumbha Mela described to him as he was doing the healing work on his back. These were the mountains he referred to when he said that he lived in the mountains.

Lake Manasarova

There are no coincidences in life; things are as they are meant to be. It is often only afterwards, when we reflect back on experiences, do we realise that the great unseen hand that guides us along the way sees all and knows all, and life – all life – unfolds as part of a great plan – a plan that we are all deeply connected to.

Lake Manasarova

Posted in Spirit | 3 Comments